already supported by johnny d., someone else, laurent garnier, jennifer cardini, florian meindl, david keno.. erich lesovsky is the newest addition to stil vor talents exciting artist roster. here comes someone who is totally fascinated and absorbed by technology, someone who only performs as a live act in the clubs and - in the time of digital machinery - still works on constructing his own devices to make music with. after singles for wba and keno records, it is now the time for his first release on oliver koletzkis stil vor talent imprint and mr. lesovsky is very happy to be part of the family. so are we, of course! not only, but also because his first ep is a killer display of musical wizardry. it stars off with >bell a donna<, a minimal funk-laden piece of music that is mainly based on some crisp beats, many warm effects and sounds and a melody so simple, yet so encapsulating to capture the heart of every dancer in the club. this is oldskool minimal funk at its best! next up is >93 percent<, a title that might be misleading at first, because this track sounds more like 150 percent really. a great loop made of fidgety techno hi-hats and some wonderful warm analogue sounds - this could well be termed a new form of fidget techno. last up is >riot beatz<, an experimental display of minimal sound design, yet still very danceable. lots of crystal bashing beats, a pumping bass and many little effects - this will definitely be one for the dancefloor in the morning hours. not only does e. lesovsky seem a master of sound, his expertise seems to cover the perfect creation of warm, yet basic tech anthems and his influences seem to come from all sorts of musical directions, from hip-hop to funk to house back to techno. it is the easiness with which he delivers his music that makes his sound designs so special!

mercurochrome was born with this new century in the shadow of the cows of jura. created under the initiative of a handful of people with a weird techno and electro fringe background, this label is made of a dozen of artists, producers and djs.

part 3 in the nice in loving memory serie (to be closed with part 4 and a album sleeve to pack all 4 parts in) 4 tracks by a new line of producers paying tribute the the sounds that made them spend so much time dancing and making the music they love! 4 deep dubby foggy techno tracks with a subliminal drive! for everyone who enjoyed the recent g-man, quantec, sven weissemann and deepchord releases... essential!!

supported by: umek, lars sommerfeld, da fresh, oscar, paul hazendonk, terje bakke, blood & tears, ondrej, electric rescue, allez-allez etc… spada who made his debut on maripoza imprint hits back with a bomb. evinrude is the realy strong follow up after the burning arcobaleni track. jitterbug is tough and gets the dancefloor mood with the deep and loopy melody on the point. davis & mays lilllypop edit of jitterbug takes it back to the melodies and fills the night with colours..

mighty robot kicks off 2009 with the first vinyl release from french electro artists katelectro and jauzas the shining. the original version of >plug< is music custom-made for a dark room and a strobe, the spoken vocal adding to the sense of vague unease. newcomer ottomatique takes his >plug< rework in a different direction, retaining the vocal, adding some eighties synths and underpinning it all with a throbbing industrial meets disco bassline. the legendary ultradyne push the discomfort and discord up a notch in their remix, staying fairly true to the original, but drenching it with their unique sinister atmospherics. things take a reflective turn for closing track >art of noise< as ghosts crackle in the circuits and bring the collection to a close.

mercurochrome rings the bell for round #6 and its nino fight whos gonna fight for - or with? - patate. the result sounds delicious, thats for sure! >trach-clin< is co-produced by steady-p, slight remix of >ca flotte< was made by jason leach.

steady-p aka patrick lucca goes wild on swiss mercurochrome #5! 4 knarzbombs, made for total mind- and floor-devastation!

excellent deeeeep spacin dubby tracks !! decks tip!! (2nd track!!)

all these tracks are made for the floor, in other words, made purely fordancing. rather dry compressed but driving beats combined with sweatygrooves work like a charm and the whole mixture goes fluidly anddeliciously down like the very best vintage barolo harvested at the peaktime and offering altogether more testosterone than those blue littlepills. everlasting love! another quality production brought to you bysenator recordings.

after the first single of this adventure witch is the modern electrics 12inchs series we are more than proud to introduce a couple of guys from berlin who are the speak of the moment due to their extra cool remixes on labels such as om records or loudeast. we are talking about chubby dubz : a fresh, innovating & classical (at the same time) conception of house music that will delight those looking for advanced/old fashioned vibrations. after sometime speaking with oliver siebert (oliver $/made to play) and gene siewing, we decided to give the green light to this little project witch shows the longest and most solid musical expression from these two new comers until the date. a collection of four original tracks that combine past & future sounds that surely will be remembered as one of the early works of this german/ usa duo. as always in our constant effort to offer the highest standard in the market we have pressed again in transparent vinyl & sleeves powered with the superb mastering of sonic vista studios (om records,classic,etc..) always looking for that chicago >warmed tubes< sound that we love

cool electro with that real hip-hop-flavour - ranging from relaxed to rocking, made by hollands dj overdose and released by florida-based monotone.

umwelt on satamile - that combination stands for real electro - dark and industrial. no made up pseudo-stuff in here.

yagya has made a new album for us. we cant think of any other way to start this new, promising year as delightful. rigning is the icelandic word for rain and is aoalsteinn guomundssons third full length, the previous one will i dream during the process bestselling on sending orbs, the first one rythm of snow on legendary out of print status on force inc. yes, we think this album is a new step forward for yagya and we think this album has the prettiest and saddest melodies ever on a dub techno/ambient record, but we most kindly invite you to be your own judge. brilliant dub techno ambient album!

young up start and london based enfant terrible l vis 1990 engineers bass fuelled dance music designed to make your ears bleed! a pioneer of his own hyper bass sound, that sonically fuses aspects of dance music that have inspired him over the last 6 years ?garage, electro, b more, ghetto tech and drum & bass, his sound is unmistakable. the majority of the l vis 1990 ep was made on his laptop, on the 8am train commute from brighton to london, and finished off at the stereo mcss studio in brixton. further musical affiliates are sinden, herve, duke dumont, switch et al, as well as math head aka passions ny, philadelphias starkey, and early dubstep pioneer vex d (planet mu), the latter of whom spoke of l vis? change the game as a track that really struck a chord, totally made me think about new ways of doing shit...

rotterdam den haag connection december 2050. this time david vunks moustache records delivers le crunch ep (previously announced as biersmijt ep), produced by the one and only mr. pauli. the a1 side features the new hit called le crunch, a high energy italo wave track that rock your pants off for sure. second is a spacerockdisco remix of le crunch that listens to the name i dont need the bad things you do to me remix made by our hardrocking man alden tyrell. on the flip theres the dancefloor killer metalbass. straight ahead extreme basslines with rolling grooves, and to finish it off der alte brings us strong melodies and even stronger basslines with beats from paulies good old friend the tr 808. this record is cutted by ome lex v. coeverden. 500 copies pressed! watch out! dont play this record underwater!

dj andy smith has been diggin deep in the archives of bgp and came back up with 24 pearls in funk, all made between 1966 and 1975. enjoy!

julian jeweil after his huge hit >air conditionne< come back with a 4 tracks ep. 3 huge tracks made for burning each dance floor and a great danton eeprom remix. musst have for afu and electric rescue fans..

techhead recordings proudly presents its 10th release in a row called uber hinaus mythos. the record includes the original track uber hinaus mythos by gabriel ben and 3 remixes made by the likes of marcelinho cic, daniel d and the duo john karagiannis & pay lip service trying to cover sounds of different tastes. an allrounder, but a solid one. first off the original version is a full-throttle techno affair with punchy kicks made by one of the most promising artists in the scene. on the same side the remix by john karagiannis & paylipservice is one more proof of their vigorous and diverse sound. on the other side the remix of marcelinho cic is a very efficient floor-filler track while the driving techno sound of daniel d s remix provide the proper dance-floor material!

we say yes! to these uplifting and electrofied remixes that are made to cook up your favourite house-floor!

2 harder storming acid-movers, made by dave the drummer and chris liberator.

3 whips on wax! storming tunes made to push the crowd to their limit.

2002 percussive tech tracks made in sweden!!

stone cold classic funky disco floor filler thats stood the test of time. first time ever on 12inch!!! taken from the hard to find self titled lp by tommy stewart, bump & hustle music is the definitive disco funk party anthem. it was recorded in 1976 in atlanta, georgia, and since then the lp has found itself in the play boxes of soul, funk and jazz djs alike. however, its not until now that this amazing song has finally made it onto the preferred format of dance djs the world over – the 45rpm 12inch single. in 1976 tommy stewart was a busy man, working as an arranger, producer, performer and writer for a host of soul and rnb artists. the lp made for abraxas records was the first to go directly under his name, and although it failed to take off locally, the lp soon became known by djs across the world primarily for the club smash bump & hustle music. as it happens that song in particular almost didnt exist but for tommy needing to come up with something quick in order to fill in a gap in the album. conceived and recorded on the spur of the moment, and with backing vocals by isaac hayes singers hot buttered soul overdubbed later, its a superb example of rhythmic simplicity blended with soulful, catchy harmonies. its just impossible to listen to bump & hustle music without a broad smile coming to your face, and when played loud in a club, its impossible not to dance!

designed to produce recordings and organize events related to electronic music, kaugummi is an independent based in paris-france structure, created in 2007. kaugummis world is kaleidoscopic, playing with reminiscences of electro from the eighties, recollections of new-wave or pop… on the occasion of these first productions, they have chosen to line up both borne out artists, rude 66 & women affair and more straighting out artists, blackskirt & ashley. made up of tracks driving up these different asperities, « machine gum » vol.01 bear witness of kaugummis very special spirit of foundations

the mysterious fat camp collective put down the hi energy, low calorie bars for a minute to take a leisurely stroll down memory lane with this trio of high quality edits for your dancefloor workout ! anorak 001 features some jam, lovingly made in the kitchen here at anorak cottages, refined from a 1970s recipe first created in philadelphia, alongside two other dishes, best served hot: dont get me started and you know you make me feel brand new, both created out of genuine traditional loom-weaving patterns in new york and first brought onto to the market in aberdare sometime in september 1979 - ridiculously limited pressings - do not miss

third single from the imps (aka minilogue & decoy) remix album. move ds remix is a boogie deep house track. he raised the bpm a little bit and made a dj friendly version. thomas fehlmans remix is more a re edit thing – definitely the right way, psychedelic and deep as always.

with his 4th release on his own imprint, shlomi aber this time takes a slightly housier road, mixing once again different elements from both the techno and house worlds. something that be as one has made one of its strong point when delivering the goods. with namgo on the a and black title on the b expect techno meets house on both fronts, smartly mixed with etchnic flavoured chants, tribal influenced rhythms and the usual shlomi aber productions quality and his imprint

there is no doubt that leipzig is a pulsating place in terms of electronic music. however, the potential of the city seems to be experiencing a new surge - not least due to up-and-coming producers like sven tasnadi and stefan schultz aka juno6. both belong to the generation of musicians who initially released their tracks for free on net-labels but have since have made the leap to vinyl. while sven tasnadi has already released great eps on liebe*detail, smallville records and of course on cargo edition, juno6 just recently made his debut with >salamis< in spring 2008 on broque. now they have joined forces with their first collaboration for cargo edition. both tracks on the ep are characterised by elaborate rhythms, a special deepness and intricately arranged sounds. >aramis< tells apparently different stories which merge seamlessly during its 14 minutes. the track also explores the hypnotic moments on the dancefloor in a very subtle and complex manner - reduced but full of vibrancy at the same time. >genau so< on the b-side takes a similar line, but adds a spark of funk, which combines to form its distinctive rhythm. sven tasnadi & juno6 have created two modern house tracks which are full of character.

aready played by raresh, arnaud le texier, russ gabriel, masomenos !!freshly squeezed productions for the second chapter of the minimono saga! this time fabio and ennio have been joined by their ethique label dudes, techno funk parisian guru john thomas and florentian house newcomers the clover. the original mix is a floating deep and funky groovy track with warm basslines, positive vibes and made to leave you smiling on the dancefloor. the clover version goes more jackin and jazzy, french touch and chicago house elements mixed together make it harder and darker. john & barbara?s really personal sexy style gives the original a more intelligent and sophisticated identity, broken grooves and whispering chopped vocals. as last present from the bosconi crew, the release also includes an african voodoo dub version of the original mix. this is the new funk!!

desonanz is a new project of frederik hatsav (metalogic, hidden agenda) and marcus c. maichel (the delta, x-dream). by combining their outstanding production skills, those two geniuses managed to produce an ep which is truly outstanding and simply mind-blowing. with desonanz, the two masterminds focus on the deep exploration of dark and progressive soundscapes and they deliver 3 rolling and driving dancefloor-killers made for the peaktime. supported by extrawelt, alex bau, airbus modular, opsy, alic, alex tolstoy and many more

2003 latin/tribal house made in denmark!!

smobee comes from the belgian dj duo smos & baby bee. it’s 15 years that they are residents at the legendary club café d’anvers. the first eighttrack recordings called shitgoddamn was also made by smos & baby bee under the moniker r.a.w. . this time it’s a nu jack kinda vibe and one great old skool disco funk re-edit track. along with this ep comes a ny city boy ’s nick chacona remix

smobee comes from the belgian dj duo smos & baby bee. it’s 15 years that they are residents at the legendary club café d’anvers. the first eighttrack recordings called shitgoddamn was also made by smos & baby bee under the moniker r.a.w. . this time it’s a nu jack kinda vibe and one great old skool disco funk re-edit track. along with this ep comes a ny city boy ’s nick chacona remix

traum is proud to welcome the new wunderkind from the uk, max cooper. max is a great uk dj who is also involved in mathematical modelling research on the evolution of networks of genes at university college london, a sci-art project combining evolutionary and music production algorithms. max cooper has many lives and he is a true wizard in his category. born originally in belfast he has been resident at the rumour as well as playing his 9th year at clubnight >firefly<. max can be heard regularly djing in the key - london, stealth - nottingham and the cross - london. he was quickly recognised by the media, receiving the label of mixmag future hero . max has joined traum with a 3 tracker involving top english producer kanio for a remix of the a-side track >harmonisch serie<. max coopers innovative programming positions him music-wise alongside artists such as dominik eulberg, minilogue and extrawelt. his epic structure has a unique narrative character to it which distinguishes him from others and sometimes dares to become almost soundtrack like, full of ambience. maybe this is best expressed by his b2 track >i< . his debut on traum is a unique sound sensation of incredible details and big sound layouts, as if made for traum. melodic and gentle but at the same time energetic and full of colours with a sci fi edge to it! max has also remixed extrawelts >im garten von eben<

ltd backstock.. darker cocoon mover from 2003

electric arguments is the first fireman album in 10 years, and this song based album couldnt be more different than its predecessors. for those who dont know by now, the fireman is a collaborative project between music icon paul mccartney and revered producer youth. the pair first worked together in the 90s when they made two ambient dance albums. originally the firemans identity was anonymous and was eventually revealed by the press as being paul and youth. in september it was announced that the fireman would this year release their first brand new material in a decade and this time there was a big difference - the duo had found their voice. speculation began, one studio insider was reported as saying the new songs sounds like arcade fire meets led zeppelin. certainly so far, anyone who has already heard the album has commented on just how accessible electric arguments is, compared to the first two fireman albums. this album is an eclectic and diverse collection of songs that show paul is still interested in pure musical possibilities. each track was written and recorded in the space of one day. the fireman went into the studio with no plan or clear direction of how they wanted the album to sound. the project took a life of its own and the results will surprise anyone expecting to hear the previous sound of the band.

original soundtrack of the never made movie >brotherman< from 1974.

kicking techno-tools by henrik b and johan bacto, made in 1999.

support by dani casarano, pheek, sasse, miss kittin, len faki,c-rock (motorcitysoul), ripperton, paolo mojo, laurent garnier !! a day without music is a wasted day .... theslogan that i m sure the vast majority of us agree with, and a statement followed to the letter by today s artist alex q. mina records the label of dj masaya has with their 1st two releases made a bold statement of intent. to deliver only the finest deep house and techno from some of the most exciting production talents from all over europe

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

colorful logo, nice shirt, made from 100 perc. cotton

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

disco don doug willis aka joey negro aka dave lee has been raiding the vaults for dancefloor delight for twenty years now and we find him as on top of his game as ever. taking the al hudson guitar lick made massive by chubby chunks he crafts a funky floor filler around that. manchesters finest the audiowhores take it into tougher, funkier territory with 2 slamming mixes as zedd close the year in some style with another modern disco masterpiece, these boys never put a foot wrong

permanent vacation present you the first 12inch release from their shiny new joint venture with the great swedish label service (who brought you studio, whitest boy alive, jens lekman, kool dj dust). together they bring us the embassy, a duo from gothenburg that makes the most beautiful songs. their sound is warm and light, but underneath the surface theres always some kind of tension, they sound like an ecstasy fuelled, jewel stealing balearic indie band on a permanent vacation at the riviera. or as they say themselves: underclass disco. the original of lurking (with a distances) sounds like a forgotten manchester rave anthem, while wunderkind tensnake made a little jam session with boney m in his parents basement to provide a heavy remix sporting a great sax and a killer panpipe!

supported by richie hawtin, onur Özer, dj hell, butch, dan ghenacia, stephan bodzin, gel abril, john selway, kiki, groove rebels, joseph capriati, bjoern scheurmann, adam (made to play), mikel mckay, owner of the wiesbaden-based circus records presents his debut on bigcitybeats techno and what an incredible introduction this is! amigos ep is started off by the good-mooded angma that takes you back into the 1930s, which is how old the sample is mikel and eddie cut in from a native american singer and flute player. with a crazy and yet in itself contained arrangement it has all necessary requirements to be one of these big tunes

not too late is norah jones highly anticipated third album. made up of 13 songs - all of which were written or co written by norah - the album was produced by lee alexander, norahs long time song writing partner/bass player. the album features distinct traces of dusty in memphis style southern soul, as well as the kind of sleepy, sultry vocals that have been ubiquitous in coffee houses all over the world since the release of her 20+ million selling 2002 debut album, come away with me.

thisisnotanexit records was established in 2006 to release wild out there dance music inspired by factory and the legacy of tony wilson as well as contemporaries dfa and output. this is the first of a series of limited edition 12inchs from thisisnotanexit to launch new acts and comes from spectral empire a couple of soundtrack obsessives from london. taking cues from everything from zombi to chateau flight to kraftwerk this debut release sits amongst the current proclivity for slowed down disco but made with analogue equipment and infused with heart and soul.

original electro made by jason szostek aka bpmf in 1998.

based on a >good life< sound by inner city this one is made to push everybody to the floor. ltd repress